9/13/2023 0 Comments Kite movie hot scene![]() ‘s house with Kanye knocking on the window. It led to the two Chicagoans knowing one another early on. “ ‘10 years it’s gonna take you Coodie before you even get seen.’” Like West, Coodie is a ‘70s baby and grew up in Chicago during a time when hip-hop was more of an emerging subculture than a full blown scene. “First person to ever bring me on stage and give me all kinds of advice as far as it goes when it comes to making it in the industry, ‘’ Coodie remembers. Before picking up a camera, Coodie was an aspiring comedian who was mentored by the legendary Bernie Mac. Years before Coodie linked up with Chike to produce iconic music videos like West’s “Through The Wire” and critically-acclaimed documentaries like Benji for ESPN’s 30 for 30 series, Coodie was just like West-another creative from Chicago figuring out how to make it after dropping out of college. “Although this documentary has everything to do with Kanye and Coodie, it’s really about using them as a vessel to help other people unlock their true passions and understand how to move when you’re a genius,” says Chike. It gives a first person look into Ye’s development into an icon over two decades, but also tells the story of Coodie, the young Chicago creative who follows his path on the periphery. Instead, Coodie and Chike produced a documentary that stylistically feels like Richard Linklater’s Boyhood meeting Exit Through The Gift Shop. Yet, it doesn’t feature a single scene with West-who now legally goes by “Ye”-sitting inside a brightly lit studio to be interviewed retrospectively about his career. Traditionally, the safe approach to a music documentary would be using Coodie’s footage as B-roll to substantiate present-day interviews with the subject at hand and their closest acquaintances. The documentary is exclusively composed of hours of behind-the-scenes footage shot by Coodie, who co-directed the film with his longtime creative partner, Chike Ozah. The raw and uncut style of filming that Coodie is known for is the foundation of Netflix’s new jeen-yuhs documentary, an enlightening three-part series about Kanye West. “So we were going to hit you with all this craziness to draw you in, but then hit you with a positive message at the end.” “Danny was a little afraid to film it, so I said ‘Man, give me your camera.’ When we put together that episode it started with a fight, but ended with The Last Poet talking about something positive,” Coodie remembers. Overall, the show was known for taking creative risks. Coodie remembers how the hip-hop artists he interviewed opened up to him because they were allowed to kick back, smoke weed, and speak more freely without any of the restrictions network television dictated. The show was well-loved in Chicago for being raw and uncensored. By sneaking into concerts and events, Coodie was one of the only creatives in Chicago interviewing hip-hop artists like Run DMC, young sports legends like the late Kobe Bryant, and rising Chicago acts like Abstract Mindstate. Originally created by Danny Sorge, Channel Zero was a hip-hop show that aired on Chicago’s television sets back when artists like Common were only hometown heros and West was just cooking up beats for local rappers like Cap.One or Mikkey Halsted. The show’s name is familiar to any Kanye West fan who has stumbled upon archival footage of the rapper’s younger years. The first time Clarence “Coodie” Simmons ever picked up a camera, it was to film a fight for Channel Zero, a Chicago public access television show that covered the city’s rap scene.
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